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moreLillian Ross was a staff writer at The New Yorker
BARBARA ZEMAN PROVIDES HERE A FANTASY IMAGE OF THE CHILLING FATE OF ARCHITECTURE
’s curatorial approach to publishing by inviting the reader-as-exhibition-viewer to navigate a broad multidisciplinary field of inquiry and experimentation
n°35 — An eye: artists’ view of the modern world 1911 – 1938
Between the Material and the Possible housing moreLillian Ross was a staffThe revisioning of our infrastructural futures, local and global relationalities, and historical and political legacies. Forming a comprehensive picture of the multiple processes, regulations, institutions, technologies, networks, and operations that we have come to understand as the distributed infrastructural arena in which we act, yield, and plot is a perennial challenge. Over the past decade, a growing number of artists, theorists, curators, and
