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![Akasaka Soul Funk 1969-1977 / Various (Ogv) - Akasaka Soul Funk 1969-1977 / Various [180 Gram] HorrorPops Due to the inherent fallacy](https://cdn.shopify.com/s/files/1/0776/9063/4497/files/4401646-3321178.jpg?v=1773735117)
Due to the inherent fallacy of making copies from other copies
Chula (John Eric)
these resultant recordings were mixed by John Nowland with updated post-production and mastering by John Hanlon - along with Chris Bellman - at Bernie Grundman Mastering using the original analog master tape source
I Like Your Mom
Akasaka Soul Funk 1969-1977 / Various (Ogv) - Akasaka Soul Funk 1969-1977 / Various [180 Gram] HorrorPops Due to the inherent fallacyAt the start of the 60s, a new wave of gospel influenced jazz started to emerge, with hits such as Art Blakey & The Jazz Messengers' "Moanin'" and Cannonball Adderley's "Work Song" epitomizing this evolution in the genre. The terms "soul jazz" and "funky jazz" were coined as a way to describe this new sound that was making an impact in the US and also on the other sides of the Atlantic and Pacific oceans. In 1964, Ray Charles made his first visit to
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