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Stephen Girard 1832 — a portrait of the Philadelphia financier in the year of his bequest's settling
Wyoming arrives in lithographed wide-open: Yellowstone geysers mid-plume
The Cathedral of American Pastime Polo Grounds Relic Print conjures the bathtub-shaped bleachers of Coogan's Bluff
A Nation's Pride, A Nation's Wealth 1884 Frame Style:Verdigris Frame thought it was worth filingA Nation's Pride, A Nation's Wealth 1884 a Gilded Age allegorical print in the high civic style, hymning the post war republic's bounty in the year Cleveland edged Blaine, when the country was still tallying what it had survived and what it had made of itself. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives, regional historical societies, and the lithographic
