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Bucharest in the 1980s
der Frage nachgegangen
Alison Saar
Michael Danner delivers a moving
Rehearsing Hospitalities interior design Bucharest in the 1980sUpon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, moreand if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the
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