ryoji arai painting op 10 Aya Coizumi Perhaps those landscapes don't belong

Perhaps those landscapes don't belong only to me—they might belong to someone else as well

" he also met Yanagi Soetsu and members of the Mingei Movement

現代のアートブックやブックアートの世界では、ふつうは本に使わない素材をあえて取り込むことに、上手がある。ヴェロニカ・シェパスが「Solitude」の本文用紙に医療用の濾紙をつかったり、秋山伸が『耕す家』をプラスチックのトタン屋根（波板）で包んだりすることは、いまでは喝采されるべき造本の工夫だけれど、1887年生まれの斎藤昌三は、すこし登場するのが早すぎたのかもしれない。しかし、たいていのことは杉浦康平がやっているとか、ブルーノ・ムナーリがやっていると言うのと同じように、斎藤昌三の仕事だってもっと評価されていい。

photographs of children taken near Zoshigaya Kishimojin Shrine and Ikegami Honmonji Temple seem to evoke the conversations the children are having and even the anecdotes behind the scenes

ryoji arai painting op 10 Aya Coizumi Perhaps those landscapes don't belongop. 10 Title: "I've never been on a ship, but there are some places I'd like to go." I wanted to draw each picture one by one and make a book with just those pictures. And I didn't want to just collect all the original drawings I'd done so far, without clearly defining the beginning and end like a picture book. I wanted to draw pictures that could be turned into a picture book later. From the interview at the end of "Picture Books Before They Became