Yorgos Lanthimos: Dear God, the Parthenon is still broken winter24 in dialogue with many other

in dialogue with many other areas of inquiry such as gender and cultural studies

He offers us a rich framework

undoing and redoing with no predetermined endpoint

Mallory Weston

Yorgos Lanthimos: Dear God, the Parthenon is still broken winter24 in dialogue with many otherDear God, the Parthenon is still broken is a photographic vignette by Yorgos Lanthimos. Although created on the set of the film Poor Things in Budapest, the book inhabits a separate world, untethered from time and place. The photographs drift between black and white and colour, giving the impression of a waking dream between past and present, whilst multiple layers between reality and fiction are gradually revealed. The film was set in various late