isn’t it simply a way in which to appropriate his own work
NOTES FROM NEW MEXICO
and studios will astound and astonish
the book features essays by Sam Grawe (author
Fergus Feehily Industrial Design isn’t it simply a wayOIL, CARPET TACKS, ACRYLIC, GESSO, GOUACHE, TWIGS, THE OCCASIONAL SPRAY PAINT, PENCIL, DABS OF WATERCOLOR, FOUND PHOTOGRAPHS, FOUND FRAMES, BANDAGES, A PAPER BAG OR TWO, SCREWS, ALUMINIUM FOIL, SWEET WRAPPERS, SCRAP WOOD. THE MARGINAL MEETS IN THE PAINTINGS OF FERGUS FEEHILY (1968, DUBLIN, IRELAND), PAINTINGS THAT THEMSELVES STAND AT THE PERIPHERY OF CONTEMPORARY PAINTERLY CONVENTIONS WHOSE SUBTLE ACTIVITY, AS MARTIN HERBERT OBSERVES, IS ON ITS WAY