ARTE POPOLARE DELL’AFRICA CENTRO-ORIENTALE, Figura femminile, Fine XX-inizio XXI secolo vasi how to capture change and

how to capture change and movement on an unchanging surface

and still lifes

instinctive gestures

they returned to Galilee to their own town of Nazareth

ARTE POPOLARE DELL’AFRICA CENTRO-ORIENTALE, Figura femminile, Fine XX-inizio XXI secolo vasi how to capture change andSculpted and pigmented African mahogany statue from Uganda. The style is inspired by the traditions of the Congolese basin, particularly the Songye and Luba tribes. The geometric and chromatic decorations on the face refer to a symbolic language linked to protection and belonging; these are signs that do not have a unique and codified meaning: they were fluid codes, legible only by initiates, and varied from clan to clan. The circle, for example, is