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dominates the scene as a visual and symbolic focal point
becomes not only a landscape
Conservazione perfetta con piega centrale e margini editoriali intonsi
confirming how Hokusai consciously breaks perspective in favor of design and motif
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 102, 1834 sculture dominates the scene as aA splendid proof with good contrasts, attributable to the Eirakuya Tshir edition (mid 19th century) from the original blocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New York:
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