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He approached lithography as a craftsman in the truest sense of the word: he drew the stones himself and oversaw the printing
A preparatory drawing for this plate is also known
in Miyagi Prefecture
Laurencin broke the norms of her time
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 70, 1836-1847 vasi He approached lithography as aStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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